Photo: Gus Defelice
Hi Gus, how did you first get into music?
Music has always been a part of my life. My earliest memory of connecting with it was when I was around 3 or 4 years old, during Christmas with my cousins. I remember standing on a chair, playing air guitar, completely lost in the moment. As I grew older, artists like Gary Moore inspired me to take up the guitar seriously, and I’ve never looked back since.
Your superb latest release, ‘Luring Depths,’ is inspired by a recurring childhood nightmare; can you tell us more?
Thank you! Yes, Luring Depths is deeply personal. It’s inspired by a nightmare I used to have as a child, where an elevator would descend into a metallic, sealed room that felt like a portal to something dark and ominous. Writing the song was cathartic—it allowed me to process buried feelings and explore themes like fear, confusion, and family dynamics. The track combines haunting melodies and crushing riffs to reflect that emotional journey.
How is ‘Luring Depths’ different from your previous releases?
Luring Depths has a darker and more atmospheric tone compared to my earlier work. While tracks like Starlight and Desert Dunes have cinematic and progressive elements, this one leans into a more brooding and introspective space. It’s rawer emotionally and explores heavier themes of confrontation and internal struggle. The public’s response to it has been incredible!
What draws you to the death metal genre?
Death metal has an intensity that resonates deeply with me. It’s not just about the heaviness—it’s the emotional depth and the storytelling through dynamic contrasts. The genre allows for a unique kind of expression where beauty and brutality coexist. It’s like painting with the full spectrum of human emotion.
Where do you see the metal genre progressing in the next 10 years?
I think we’ll see metal continue to evolve by blending with other genres and incorporating more electronic and cinematic elements. Bands are pushing boundaries with concept-driven albums and exploring topics beyond traditional themes, which is exciting. I also think there will be a resurgence of live-focused, authentic performances as fans continue to crave genuine connection.
Dream Theater, for example, is a great model for this evolution. I recently attended one of their concerts, and it was a masterclass in blending technical mastery with storytelling. They incorporate cinematic arrangements and seamless genre-crossing, which feels like a glimpse into where metal is heading. I also think there will be a resurgence of live-focused, authentic performances as fans continue to crave genuine connection in a world that’s increasingly digital.
What motivates you to make music?
Music is my outlet for processing life. It’s a way to channel emotions, tell stories, and connect with others on a profound level. The thought that something I create can resonate with someone else and maybe even inspire them is incredibly motivating.
If you could open for any artist/band, who would it be?
That’s tough—so many greats to choose from! If I had to pick, it would be Gojira. Their music is powerful, emotional, and forward-thinking, which aligns with my approach. Plus, sharing a stage with them would be a dream come true!
What is your biggest mistake in the music industry so far?
Probably not trusting my instincts early on. There were moments when I followed advice that didn’t align with my vision, and while I learned from those experiences, they cost me time and creative energy. Now, I’m more confident in sticking to what feels authentic. This is something I often tell my guitar students to empower them in their own music journey.
What is the best music advice you have ever been given?
“Serve the song.” A mentor once told me that no matter how technical or ambitious you want to get, the song itself should always come first. It’s not about showcasing skill—it’s about creating something meaningful and memorable.
What musical plans do you have for the next two years?
I’m wrapping up my concept album, The Sound of Inevitability, which explores themes like time, change, and entropy. The next year will focus on promoting the album with live performances and creative video content. Beyond that, I’m looking into collaborations with other artists and potentially exploring more cinematic and orchestral elements in my future work. I’ll keep you all posted through my Instagram and TikTok, so stay tuned!
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FVMusicBlog November 2024
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